Sin Salida – Future création 2018

Sin Salida – Future création 2018

Sin Salida

A collaboration between choreographer Kate Weare, artistic director of contemporary dance company Kate Weare Company (USA), and Esteban Moreno, artistic director of tango company Union Tanguera (FRANCE), this project charts new territory by bringing together artists from Argentinian tango and contemporary dance for a unique cross-pollination of disciplines, cultures and values.


Tango – Contemporary dance: meeting points

In stark contrast, modern and contemporary dance have always exalted the individual as both locus of meaning and generator of content, putting forward a long and rebellious (ie: feminist) tradition of the individual’s unique consciousness made visible through form. How might these two disciplines – each over a century old – speak to each other, wrestle with and embrace each other? Within this exciting exploratory residency at DANCEworks Santa Barbara, we seek to merge our respective forms toward a common human predicament: one needs the other to perceive oneself. The powerful idea of “relationship as mirror” is a fundamental tenet of our collaborative venture. After all, as Jean Paul Sartre (whose voice you will hear tonight) suggests, seeing ourselves through the eyes of another remains our only existential option.


> Work in Progress – Nov 3rd, 2017 – Carré Belle-Feuille Boulogne Billancourt +info & inscription

> Première – Feb 10th, 2018 – Carré Belle-Feuille Boulogne Billancourt




STEP 1 – Festival Les Nuits de Fourivère (Lyon, France)

The first step of this collaboration began in Lyon, France with the marvelous Argentinian composer Gustavo Beytelmann, who worked closely with Esteban and his longtime tango partner Claudia Codega for 6 months to develop the music and movement from which we have sprung and presented No Exit at the Festival Les Nuits de Fourivère.


STEP 2 – Lobero Theater of Santa Barbara (USA)

In August in Santa Barbara, we took the risk to collide our forms, to release our habits and assumptions, and to discover something unknown. During these past few weeks we’ve had an exhilarating, sometimes frightening, process of clash and recovery, trust and generosity, merging and “resolución”.

Sin Salida / In Love I Broke Beyond examines through choreographic means the fundamental connection point of tango, the frame or “abrazo” (embrace); a structure designed to connect, or perhaps bind, human beings to each other. Tango as a form nimbly suggests the extent to which we must rely on others to perceive ourselves and our shifting desires, exploring individual freedom only through continuous connection between partners. In tango, a “solo” refers to a dancing couple taking a turn on the floor, never to a solo dancer. For those who do not dance tango, the name of an important basic step is “salida,” which means exit.


STEP 3 – Créteil and Boulogne Billancourt in Automn (France)

This performance is a first draft; a chance to try out new modes of thinking and moving together. Esteban and Kate continue to explore the merging of their respective forms in France this Fall with a 2-week development process and a World Premiere in Lyon in February 2018.  Sin Salida / In Love I Broke Beyond has been granted a prestigious US National Dance Project Touring Award, which means the project will “have legs” here in America as well. In this moment when cultures, countries, identities are pulling apart, this project insists that we apprehend each other. How do we hold onto ourselves while listening to another? That question is at the heart of tango.



 Gallery – Residency at the Lobero Theater of Santa Barbara
©David Bazemore


Capture d’écran 2017-06-02 à 15.01.15



Kate Weare Company is a New York-based contemporary dance company renowned for its startling combination of formal choreographic values and visceral, emotional interpretation. Weare’s dances explore contemporary views of intimacy – both stark and tender – by drawing on our most basic urges to move and decode movement.

KWCo has been presented in New York City by The Joyce Theater, Brooklyn Academy of Music, Guggenheim Works & Process, The 92nd St. Y, BRICarts, The Skirball Center, Fall for Dance at New York City Center, Joyce SoHo, Dance Theater Workshop, Danspace Project at St. Mark’s Church, among many others. The Company has performed nationwide at American Dance Festival, American Dance Institute, Chicago Dancing Festival, Jacob’s Pillow, Bates Dance Festival, ArtPower at UC San Diego, Ringling Museum, Boston Institute of Contemporary Art, among many others. KWCo has been awarded numerous artistic residencies, most recently from DANCEworks Santa Barbara, The Joyce Theater Foundation, Brooklyn Academy of Music, California Institute of the Arts, The Tisch Dance Festival, and University of Albany. Recent major support has been received from The Joyce Theater Foundation, The Andrew W. Mellon Foundation, New Music USA, The New York Community Trust, New York City Department of Cultural Affairs, The Greenwall Foundation, New York State Council for the Arts, and NEFA’s National Dance Project.




gustavo beytelmann

About GUSTAVO BEYTELMANN (Collaborating Composer)


Gustavo Beytelmann was born in 1945 in Venado Tuerto, Argentina, into a music-loving family. He learnt to play the      music and Tango specifically at a very early age, joining the dance orchestra, where his father, a talented violinist, often played. He studied music formally at the Institute of Music of the University of Rosario and later composition under Francisco Kröpfl.

 Beytelmann has written music for the cinema, worked as pianist and arranger for the record industry, and performed with various jazz ensembles in Argentina, Italy, Germany, and France. He has made appearances at the Festival of Tango of Buenos Aires and the International Moritzburg Festival in Germany. Together with Juan José Mosalini and Patrice Caratini, Beytelmann formed a trio which performed for 12 years across Europe and the Americas, recording three albums and making a significant contribution to the evolution that Tango was undergoing in that period. From 1993 onwards he intensified his work as a composer. He has been the artistic director of the Tango Department at the Conservatory in Rotterdam since 1996 and has taught at the Universities of Seattle and Bellingham (USA) and Music Academy of Monaco, among others.


A co-production Nuits de Fourvière/ Tango de Soie/ Cie Kate Weare / Centre Chorégraphique National de Créteil et du Val-de-Marne / Compagnie Käfig direction Mourad Merzouki with the help of ADAMI*, SPEDIDAM**, Région Rhône-Alpes, Ville de Lyon, Ville de Boulogne Billancourt, Fonds NEFA, Carré Belle-Feuille de Boulogne Billancourt, programme DANCEworks, résidence de création proposée par une collaboration unique entre SUMMERDANCE Santa Barbara et le Lobero Théâtre.

* L’Adami gère et fait progresser les droits des artistes-interprètes en France et dans le monde. Elle les soutient également financièrement pour leurs projets de création et de diffusion.

** La SPEDIDAM est une société de perception et de distribution qui gère les droits des artistes interprètes en matière d’enregistrement, de diffusion et de réutilisation des prestations enregistrées.